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Susan Crowe is a
singer-songwriter. Thirty years ago, Susan composed and performed the score
for a film about the Grey seals of Sable Island. Susan on guitar was
accompanied by Clark Brown on flute. Titled Horseheads, the film was
made by Henry James, a professor at Dalhousie University who was conducting
research on both Grey and Harbour seals. Henry connected with Susan via Zoe
who was at the time working as a field assistant with the James Gang on
Sable. Long before that, Susan and Zoe (both Bluenosers born in Halifax) had
met as teenagers, within the range of the Silver Sands Moose. Susan
eventually moved away to live and work in Toronto and Vancouver, and for a
decade during that time she gave up on music. But in 1994, Susan began to
write songs again, and is now among Canada’s most respected
singer-songwriters. She has preformed throughout Canada, and has toured in
the USA and Europe. Susan has received nominations from both the West Coast
and East Coast Music Awards, and the Juno Awards, and received the Music
Industry of Nova Scotia’s Best Female Artist Award in 2004.
In addition to her solo career, she is currently performing with Raylene
Rankin and Cindy Church. She has written for several artists and projects,
notably Quartette, Lunch at Allen's and John Reischman and the Jaybirds. For
more information about Susan and her music:
www.susancrowe.com
After moving back to
Halifax, Susan reconnected with Zoe, and in August 2007, she visited Sable
Island to spend a week helping with various projects—collecting marine
litter items from the beach, searching for invertebrates, checking bands of
horses, and sorting specimens etc.
Although Sable
Island has had a significant impact on Susan, she is not one to seek novel
and/or glamorous experiences to use as fodder for the production of new
material. Her work is thoughtful and contemplative. The island’s influence
may be expressed more fully after time and distance have provided some
perspective and context, but Sable will not emerge in her music as the
obvious and predictable. Susan’s new collection of songs (her fifth CD
Greytown, May 2009) includes one titled “Boy on a Bicycle”. Her
connection with Sable Island is reflected with quiet and gentle joy, in a
single line. The song speaks of troubles—misunderstandings, betrayal,
loss—but also of other times when the life opens up and the horizon is
boundless, and the wind sets you free. The song begins with “Trouble comes
in cyclones…” but with the imagery and the feeling of the refrain “I’m a boy
on a bicycle, a sailor gone to sea, a Sable Island pony…” there is hope,
there are happier times. |
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